“Salt Carousel”- Evian Christ
Evian Christ's "Salt Carousel" spins uncontrollably and sparks like a downed power-line, while demonstrating why the British-producer wound up on Kanye West's "Yeezus". By Jared McNett
Evian Christ's "Salt Carousel" spins uncontrollably and sparks like a downed power-line, while demonstrating why the British-producer wound up on Kanye West's "Yeezus". By Jared McNett
As bristly and repudiating of the status quo as Death Grips schizoid, out-of-nowhere release "Government Plates" is, it's also reaffirming. By Jared McNett
Willis Earl Beal's "Babble on." tries on the hat of English troubadour and proves nothing can stop the enigmatic blues singer. By Jared McNett
Last night at the Midland, Iron & Wine's set ebbed and flowed through the strange and familiar. By Jared McNett
The National's maudlin contribution to the "Catching Fire" soundtrack overshadows the series' child-killing Darwinism. By Jared McNett
The Dum Dum Girls new single attempts to find harmony between bracing garage rock and melodramatic girl-pop. By Jared McNett
On mini-album "Fade Away" Best Coast balance between their ragged debut and carefully considered follow-up, while attempting to evade cries of "sameness". By Jared McNett
Scottish post-rock group Mogwai's new song "Remurdered" (like so many horror movie villains) doesn't die, it continually lingers in the shadows. By Jared McNett